由于人类千万年的进化结果，我们一直是以凸镜结构观察这个世界。如果没有凸镜的辅助，摄影应该是个什么样子？

不同角度的光线通过一个小孔，在底片上又会带来什么样的奇迹？

这个展览就是因此而产生的。 　　

公元前三世纪，中国春秋战国时期的《墨经》一书，曾经记录下针孔与倒像的关系。

今天，一群年轻的中国学生，用简单的纸盒与上海牌黑白底片，演绎出了一个个不同的世界。

在这些世界里，传统的透视、空间不存在了，高度与宽度的关系不再由视点和视角所决定，

光线以不同角度穿过小孔，真实地表现出客观世界里，光线与物象的原初关系。 　　

这是一个充满探索和热情的展览，学生们用这一学期的时间，

经历了多次的失败、经历了漫长的曝光等待、经历了细心的冲洗过程，最后的作品还是令人满意的。

他们已经深深感觉到了摄影的魅力和这个世界的宽广，

希望他们的未来会以此为起点，找到并描绘出自我的天堂。 　　 

 吉林艺术学院美术学院 　　

   当代影像工作室导师 张辉

  2013年5月

As a result of thousands of years of human evolution, we have been observing this world with a convex mirror structure.

Without the assistance of convex mirrors, what should photography look like?

What kind of miracle will the light from different angles pass through a small hole on the film?

This exhibition is the result.　　

In the third century BC, the book "Mo Jing" during the Spring and Autumn Period and the Warring States Period in China once recorded the

relationship between pinholes and inverted images.

Today, a group of young Chinese students used a simple paper box and Shanghai brand black and white negative film to interpret a different world.

In these worlds, traditional perspective and space no longer exist, and the relationship between height and width is no longer determined by the viewpoint and perspective.

The light passes through the small hole at different angles, truly showing the original relationship between light and object image in the objective world.　　

This is an exhibition full of exploration and enthusiasm. The students spend this semester time,

After many failures, a long exposure, and a careful rinsing process, the final work is still satisfactory.

They have deeply felt the charm of photography and the breadth of this world,

I hope their future will use this as a starting point to find and portray their own paradise.　　

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                    Academy of Fine Arts of Jilin Art University 　　

Zhang Hui, Instructor of Contemporary Imaging Studio Zhang Hui

May 2013

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